A website in a day

Money is tight and many are feeling the pinch at the moment, so I am offering a new no-frills service that might interest someone you know. This is the way it works:

I’ll have a telephone conversation with the potential website owner to advise them what they need to think about and what to bring with them, then we will spend a day in my studio generating and populating a simple WordPress site. I will show them how to add and delete pages, and how to import and edit text and images. At the end of the day, they will have a functioning website with some pictures and copy in place. This would be ideal for someone who has a holiday cottage to let, or similar small business that needs a brochure site. Click here for one I did for a couple with holiday accommodation in Corfu.

If you are interested in finding out more, please get in touch.

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Truly terrible typography


Oh dear! Who is responsible for this typographic crime? It upsets me deeply. For those of you who don’t know, kerning is the process of adjusting the spacing between font characters to achieve a pleasing result. Whoever did this cover didn’t employ kerning.

When choosing a book cover designer, it’s best to ensure that they have had proper training; typography is one of the subjects taught on Graphic Design BA courses. Have a look at your prospective designer’s online portfolio too – and check the book’s imprint details or back-cover credits to see who really did the design. Not all designers are as honest as me!

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How to choose a colour scheme

Sometimes all of us need inspiration when it comes to choosing colours, and you could do worse than turning to one of the Great Masters. One of my favourite artists is Matisse, whose use of colour is sublime. Here are some of my favourite Matisse prints (all seen recently at the current print exhibition at Winchester Library – well worth a visit).

Colourful prints by Matisse

Just type ‘Matisse’ into Google Images to see a wonderful display that will lift your spirits, or better still, go and see the real thing.

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London Lounge: Marylebone

Have you ever tried to find somewhere nice for a coffee or lunch at the top end of Oxford Street? Chances are you will be faced with mediocre chain cafes. You could always pop into Selfridges, but hey – not many of you have won the lottery. Fret no more. At the back end of St Christopher’s Place, at 65 Wigmore Street, is the Comptoir Libanais.
Don’t be put off by the slightly expensive-looking exterior; the interior (decor and food) is cheap, cheerful and incredibly vibrant. The walls of this Lebanese deli-come-cafe are lined with produce, and a tasty variety of food is on display behind the counter. You can just have a coffee or mint tea, opt for a salad, or blow out on mezze.I was on my own, and rather than sit at a table, I was offered a seat at the communal bar. It was far too cramped to read, but the upside was I got to eavesdrop on my neighbours with impunity. Service is quick, and you can get lunch and a drink for less than a tenner. What more could you ask for?
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A miracle in 3 tweets?

There’s no denying that everything moves much faster than it used to. When I first started work at BBC Publications, we often had up to 11 months to produce a book (and this was once we had received edited copy). That seems hard to believe now. However, I think my latest collaboration may have broken all records – from conception to delivery in 22 days! This is what happened:
21/11: Local Teddington minister and author, Richard Littledale, spends an afternoon writing a children’s story for Christmas.
23 and 27/11: Richard posts pleas on Twitter to see if anyone will help him publish it.
5/12: James, a talented artist from Durham and an avid follower of Richard’s blog, begins work on 8 full-page illustrations.
7/ 12 Still looking for sponsors, Richard puts out a final plea for anyone local who can offer any help – especially anyone involved publishing. I see the retweet, and respond.
8/12: Richard asks me to ‘look over’ his manuscript before it goes to the printer. To my horror, not only is it in Microsoft Word, it is also set in Times New Roman. My heart sinks. I have a busy day ahead of me and I’m supposed to be going to Liverpool for the weekend. What should I do? I decide to bite the bullet and have a (very) late night. I design specimen pages that afternoon (approved in minutes by Richard) and proceed with formatting the book. That evening, some good news arrives: Haymarket Media Group and Lynhurst Press agree to sponsor the printing costs. Much later, fuelled by caffeine, I receive the final piece of artwork from James: the book is ready for repro.
9/12: ‘The Littlest Star’ goes to the printer.
13/12: Printed copies arrive in Teddington just in time for a reading by the author at our local toy shop.
Those of you who know me well will also know I am a great believer in collaboration, and this tale just goes to show what you can achieve. As Richard says: The sky’s the limit – which is just how it should be for the Littlest Star!
If you have any small children in your family and would like to buy a very early 2012 stockingfiller, you can get a copy of The Littlest Star by phoning Richard on 020 8977 8000. All proceeds go the the Shooting Star Hospice.
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Fashion faux-pas

I recently attended a business fair at Earls Court. Although I principally went to attend the seminars, I was aware of possible networking opportunities, so that morning I washed my hair, chose a dress that was smart but funky, donned my boots and applied killer make-up.

At the seminars, I looked around; almost all the ladies were dressed from top to toe in black. The men were slightly more adventurous in shades ranging from white to grey to black. Ladies – you did not look chic, you all looked incredibly boring. Business leaders always tell you that your business should stand out from the crowd. Well, so should you!

Black looks fabulous on the lucky few, but does no favours for most of us. If you would like to know more about ‘How not to wear black’, you can read my review here.

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Shall we meet up?

I am not the shy retiring type, and I love meeting new people, so why do I struggle with traditional networking? I have tried traditional referral groups, and although I have met some fantastic people, they are not for me. Here are some places that I like to network. If you would like to come to any of the events, do call me.

The Galley Club members are all involved in book publishing, and meet once a month at The George in the Strand. A buffet and wine is served from 6.30pm, and each month there is a guest speaker. Recently, Barry Winkleman amused us with tales about his days with Rupert Murdoch, Sam Missingham talked about social media and how she uses it in her role as Marketing Manager for The Bookseller, and Simon Garfield entertained us with slides and stories from his bestseller ‘Just My Type’.

The next meeting of the Galley Club is on Wednesday 8 February.

BookMachine, the brain child of Laura Austin and Gavin Summers, has a large online following (over two thousand) and posts news, views and interviews on its website, twitter and facebook accounts. They also organise regular events in London, and lately Edinburgh, attended by people from all walks of publishing, from traditional editors to app developers. This is a much younger crowd than that at the Galley Club. Their events include debates and seminars, but my favourites are the publishing socials in a variety of London pubs where I can meet old and new BookMachine afficionados.

The next BookMachine London social will take place in March.

Teddington Business Community does what it says on the tin. I have recently joined the group, and have enjoyed 2 of their networking lunches. They also provide a regular programme of expert seminars with leading professionals in Teddington.

Upcoming events: members lunch on 2 February, and a Taxation Masterclass on 16 February.

Apart from the fact that these events are full of great people, can you spot the other similarity? A glass of wine to the first person who does!

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London Lounge: EC2

London is an exciting and vibrant city, but can be very expensive. In each issue of my newsletter I’m planning to share my tips on where to go more or less for free (you will have to pay for your cappuccino though!). I’m going to start with:

Sunday afternoon in EC2

A great place to start is The Bridge Coffee House at 15 Kingsland Road, Hoxton (EC2 8AA). This Turkish cafe has to be seen to be believed – my pictures show the cluttered ground floor bar with old-fashioned coffee machines and the upstairs lounge which has the feel of a faded boudoir (yes, I like that type of thing!).

After fuelling with caffeine, you should be ready for a short stroll to Columbia Road flower market (EC2 7RG). Here, your senses will be assaulted with vibrant colours and wonderful perfumes. If you get there at about 3pm, you can pick up some wonderful bargains, like half a dozen huge bouquets for a fiver. There are funky shops here too, good for stocking up on birthday cards and gifts.

Just down the road from here, back at 136 Kingsland Road is the Geffrye museum (EC2 8EA). This free museum shows the changing style of the English domestic interior in a series of period rooms from 1600 to the present day, and you can happily while away an hour here. There is also a very nice cafe (there seems to be a theme going on here…).

If you fancy something more substantial, just south of here are a number of canteen-style Vietnamese restaurants, which are very reasonable.

Do you have any London Lounge secrets to share? I’d love to hear from you.

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My top 10 tips for making the most of the Edinburgh Festival

1 Before you arrive, get a programme and make a shortlist of what you’d like to see, otherwise you will be overwhelmed with choice.

2 If there are shows you simply can’t miss, book them in advance. As soon as a show receives good reviews in the national press, it will sell out.

3 Most seats are unreserved, so arrive at your destination early to ensure a good view.

4 Allow plenty of time to get to your venue. Edinburgh isn’t big, but to get from A to B takes much longer than you might think because of the steep hills. Many shows do not allow entry to latecomers (I learned to my cost).

5 Always carry a waterproof and an umbrella! It’s also a good idea to wear wellies or flat shoes (lots of rain and cobblestones) and have a pair of waterproof trousers to hand (I’m not joking).

6 Make sure you have plenty of loose change. Buses don’t give change, neither do parking meters, and although many shows are free, it would be churlish not to give a donation to the performer.

7 If you visit the festival in the first week, many shows have 2 for 1 tickets, bookable in advance.

8 The Virgin half-price hut has seats for hundreds of shows (for the next 24 hours). The names and the times of the shows are displayed on an electronic board above the hut – make sure you look these up and decide what you’d like to see before you join the queue, as it moves quickly.

9 Don’t pre-book every moment of your trip. You’ll be given a lot of flyers (and sales talk) by students and performers, and you’ll probably be tempted to see something you wouldn’t have originally chosen.

10 The city is exciting, crowded and buzzy during the festival. If you need some peace and quiet, head for the Botanical Gardens just north of the city centre.

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Logo design: behind the scenes

“Logo design? That must be easy – you could probably knock something up in a couple of hours”. Is that what you think? Here’s what really happens!

1  Before I start work on a logo design, I have to do some research. I talk to my client about their business, finding out as much about it as I can – what they do, what kind of image they want to project, and who are their target market. There are other things I need to know, like:
a  Where will the logo be used?
b  Should any text be incorporated within the logo?
c  Are there any colours that they particularly dislike?
d  Are there any existing logos that they like – and why?

2  The next thing I do is research the competition. I have a look at competitors websites to see what their branding is like. Here’s what I found when 
I was looking for insurance brokers logos:
I then make sure that I do something different, as the whole point of having a custom-made logo is that it is unique.

3  After that, I set to work on the design. Most designers work on top of the range iMacs, and the application we usually use for creating the logo is Adobe Illustrator. This is because it’s a vector face (i.e.mathematically worked out rather than using pixels) and that means it will work well at any size, from a postage stamp to a hoarding.

4  All designers are different, but before before I start working out designs on the computer, I always start with a pen and paper. I like to make scribbles of shapes or images that I can use in the logo, or play around with the lettering (usually about 4 sheets’ worth). From these, I can tell what will and won’t work. There are a few things you have to remember when you’re designing a logo, and these are:
a  Keep it simple. It has to be memorable, and also work well when it’s small (like on a website banner).
b  Make sure it works in black and white as well as colour. You can have 2 very different colours, eg blue and orange, but if they are tonally similar they will both convert to the same shade of grey.
c  Don’t follow trends as your design will look like a thousand others, and date quickly.

5  The next stage is working my scribbles up for the client. I usually show the client 3 concepts, but this is what they don’t see:
From this, I whittle it down to 3.
6  They then choose which one they like best, but usually there is more work to be done (keeping the concept but experimenting with different colours, drop shadows and fonts).
7   Finally the client choose the preferred logo, and I save it in different didital formats for them.

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